First things first. The title has nothing to do with IQ. The first character is the number 1 so the title is a play on George Orwell’s 1984. Just in case you were wondering if I selected the title because of a possible correlation in title and my intellect!
If you aren’t familiar with Japanese author Murakami, his novels are critically acclaimed – he has been awarded the Franz Kafka Prize, the Jerusalem Prize and many others – and are a fantastical mix of surrealism and a rich (sometimes dense) detailing of everyday life. He consistently deals with themes of loneliness and alienation, the self and reality (and especially perception/imagination and reality). 1Q84 tackles all that and adds acute questions of the-ends-justify-the-means murder, religion and cults, destiny, sexual abuse, revenge, and parallel realities. Oh, it takes a while to catch on, but first and foremost, it is a love story. Really.
Was it listening to Janacek’s Sinfonietta that sent Aomame (“sweet pea”) into another world with two moons? Did Tengo see the same two moons when he rewrote Fuka-eri’s crude draft of Air Chrysalis? (And by the way, was that a story from the fevered imagination of a 17-year-old girl or was she describing things that actually happened?) Will either of them survive the revenge of a cult group called Sakigake and the brilliant and relentless pursuit of Ushikawa – a man with a large misshapen head that shouldn’t be able to follow anyone without being noticed? And what of the “Little People” – who seem to hold special powers in 1Q84 and that seem to be looking for a bridge to 1984 – are they neutral or as malevolent as we suspect? And the big question: did Aomame and Tengo have to enter 1Q84 to find each other after 20 excruciating years of separation from each other and disconnect from the world around them? I don’t think it’s a spoiler alert to say that they became soul mates at age 10.
Enough. You’re with me or not. If I’ve scared you off completely, don’t run away before reading the last sentence of this paragraph. If you’ve read other reviews I’ve written what you might have already discovered is I don’t actually review books – I recommend books. Sometimes quite different books. I know Murakami is not for everyone – though 1Q84 sold a million copies in Japan alone – and I’ll have to admit, it’s not my usual fare. But I recommend this book for its dense, other-worldly beauty – reading it creates that curious sensation of wanting (even needing and willing) it to be done and to never end.
The original Japanese version was published in 2010 and the English translation was introduced in 2011. I read the lovely boxed set (very reasonably priced on Amazon and Barnes and Noble and others) that was given to me as a gift by my son Merrick.
